Singing increases our awareness. Words expressed by the voice are the essence of self, the source of awareness. Developing the skills to sing with inspiration opens consciousness of the Divine Self.

Magic is in the singing voice. Recognizing and developing the instinctive reflexes of the process of the singing voice is the core of our instruction. The exercises develop the stamina and strength of the voice to sustain the invocation. The product of our instruction is the freedom to present the voice with inspired intonation.

Workshops are available for individual and group intensive instruction. Participants should bring two songs they would like to work (advice can be provided in choosing songs for those needing assistance).

Daily schedule: (times may vary according to individual and group needs)

• 10:00 a.m.-11:30 a.m. - Vocal warm-up: Learn to erect the vocal process into optimum posture, and set as a habit through repetition.
• 1:30 p.m.-3:00 p.m. – Musical preparation with employment of this new vocal coordination, and familiarization with musical notation. (Recording of vocal and musical exercises. Piano accompaniment available.)
• 4:30 p.m.-6:00p.m. - Presentation and development of songs. Piano accompaniment provided.

Cost:

• The Reflexive Vocal Method Interactive Instruction Manual on compact disk is available for $180.00. The Keyboard of the Voice T-shirt is provided and more may be purchased for $34.95.
• $250.00 per day for individuals. Five day individual workshops are discounted, please inquire for pricing.
• Group workshops with a three day minimum can be arranged and are priced according to duration and the number of attendants in the workshop. (Piano accompaniment will be provided for group sessions and available for individual coaching.)

Accommodations: Taos is a two and a half hour drive from the Albuquerque airport. There are many nice bed and breakfasts as well as reasonably priced hotel accommodations. AccommodationsTaos.com is an excellent resource for finding one that suits you.

This workshop is offered with Barbara Jones, Life Coach, Performing Artist and Leslie Harrington, Master Singer and Teacher. Please feel free to contact Leslie or Barbara if you have any questions.

Barbara Jones has a Ph.D. from the Institute for Transpersonal Psychology. Leslie Harrington has been her singing teacher for four years. Together, they have a goal to teach the world to sing. In late July they are offering a five day singing workshop in Taos, New Mexico. The intention of this interview is to acquaint the reader with how Mr. Harrington’s singing methodology can lead people to enlightenment, as well as to introduce him/her to the structure and format of the workshop itself.

Before you even ask me any questions, I want tell everyone, singing is such fun! It is the most fun I know, the most fun I’ve ever experienced. It’s better than sex. Singing is the ultimate act of playing!

The opportunity exists to experience reality in its eternal glory by capable use of the voice. Some cultures call that reality nirvana, others call it enlightenment. One of the benefits of singing is that enlightenment can occur within a relatively short period of time for those open to it. The stairway is learning the steps that will erect the voice for singing. The voice singing is the stars.

Learning to sing is even more fun than singing itself! I have more fun preparing music than performing it – always! The real joy is in the preparation.

Because the body is designed to sing, then it must be a psychic requirement. Singing is not necessary for normal existence, but for spiritual enlightenment, vocalization with inspiration is necessary. The most fun I know is singing with inspiration.

All of the emotional experiences of humankind are most clearly expressed in song. When a person sings, they touch the fundamental core of their being and access their deepest emotions. Singing is a necessary element of the fulfilled personal experience.

The vocal process is a complex system which requires conscious understanding of the involved reflexive structures. Though vocalizing is a reflexive function, our socialization process can establish habitual patterns antithetical to it. As a result, our singing voice gets covered up with the “stuff’ of life, rather than being a true expression of who we are. Studying singing can over-ride habits and restore a person’s instinctual vocal freedom.

The impediments culture places upon the voice can be corrected and controlled by learning vocal technique.

Vocal technique is using the voice with control. The method used here employs the reflexes of the tongue, and the breath. The breath is the source of inspiration, which means breathing in. The tongue is the reflexive control center. Learning and controlling the reflexive triggering mechanisms of the breath and the tongue provides conscious control of the voice. This is vocal technique.

The body is a system of erectile functions. For example, we erect our spine to stand. The voice erects in much the same fashion. When a person sings, the voice erects the body into vocal posture. This erection is reflexive in nature.

There are three master vocal reflexes: conversation, screaming, and calling. Conversation is the one most commonly used. Screaming is used as a warning, and calling is a beckoning. Calling is the reflexive structure used in singing and orating. When used, the complete tonal range of the voice is available.

Remarkably I found that the tongue, the palate, and the torso contain the reflexive points of the tonal musical scale. These structures are assembled with coordination into vocal erection. Because of this discovery, the ability to inflect intent in melody is available to all. Joy, grief, ecstasy, astonishment, all the greatest emotions now become our tools of grace.

Culture and society instill inhibitions which block our instinctive responses. Singing restores our instinctual abilities, which can then over-ride cultural/societal habits. Learning to sing, then, provides a means of accessing our emotions, which are also reflexive. As a result, singing can help create emotional balance in the singer.

Singing also teaches another order of time, which is an emotional relief. Time is an artificial construct, which is hard to escape from. The reality is that everything is now. Rhythm, tempo, and speed changes result in a “reordering” of time. Music also exists in another order of time which reconstructs our experiences and memories and allows us to exist out of ordinary time temporarily. . This is also true of music in general.

Through the process of singing, a personal core value structure is established. This happens in part through the resurrection of the instinctive expressive function. Singing also develops self-awareness, as the singer must tune into the deepest parts of his/her body in order to coordinate the reflexive functions needed for singing.

Increased self-esteem is another therapeutic benefit of singing. This occurs as the singer perfects the means to use the erectile function as it was intended to be used. The singer can respect their self more for what he/she can do as a result of mastering the use of the vocal process.

You mentioned that singing can lead to spiritual enlightenment. Would you please say more about that?

The voice is ultimately the center of awareness. It is the first expression of each of us at birth. The first time we utter a sound is when we are born. That first utterance, which is usually a scream, is made because we want to breathe. That scream is the first issuance of self, and of self-awareness. Through our individual awareness of self in our first utterance, we tap into the power of the universal utterance of existence. Enlightenment may be achieved by learning to become the instrument of the universal utterance in song.

I was gifted with a fully functioning singing voice. As a result, singers who were not as facile with the use of their voice regularly came to me and asked how I did what I did. I sincerely tried to help. I must commend all those who asked, because their questions encouraged me to examine what I was doing in order to produce the sounds I was making. As a result, I studied pedagogy along with the bio mechanics of the body. I tested my methodology out on students and I can say with complete assurance that any student who works with this method can also have a fully functioning singing voice.

First of all, I want the participants to have fun while they are learning something new. In the morning, the participants will be experiencing dynamic meditations, which include dancing and production of sound. The meditations are designed to open the chakras, enabling the person to experience the vertical core of their being, which prepares them for singing. After the dynamic meditations, two hours will be given to learning inspirational methodology. A pianist will be present to accompany all singers throughout the week. I will also coach each participant individually on their song(s). By the end of the week each participant will be able to successfully sing two songs of their choosing.

Absolutely! Through the internet with a webcam and microphone, I offer intimate instruction in the privacy of their home. We can view each other and converse live. For more information, please visit my website. Also, out of town visitors are always welcome to work with me in my studio.

This gift comes to me with requirements. I cannot imagine anyone in the world not being as fulfilled as I. In my studies and experience I have come to understand that human beings are designed to sing and are not fulfilled until they do. All artists can find spiritual enlightenment through their work, but what is special about singing is that it is accessible to all because they are designed for it.

The process of singing is virtually inside inspiration. The inspiration is the medium of the art. Enlightenment through singing manifests physically by expanding physical ability with the spiritual experience. Every one should have the opportunity to experience the shine, the immanence, the illumination, and the enlightenment of others, which can happen with singing.